Egy h\u00e9tk\u00f6znapi, ugyanakkor abszurd helyzetbe cs\u00f6ppen a n\u00e9z\u0151. Egy \u00fcres sz\u00ednh\u00e1zba, ami a vil\u00e1gban uralkod\u00f3 \u00e9rt\u00e9kdevalv\u00e1ci\u00f3 \u00e9s t\u00e1mogat\u00e1shi\u00e1ny hi\u00e1ny miatt bez\u00e1r, ezzel megsz\u00fcntetve az ott dolgoz\u00f3k addigi meg\u00e9lhet\u00e9s\u00e9t. <\/p>\n\n\n\n\n\n\n\n
Az \u00fcgyel\u0151nek viszont mindebb\u0151l az a legnagyobb probl\u00e9m\u00e1ja, hogy hogyan tudja az \u00e1lomkomb\u00f3t a – p\u00e9nz, n\u0151k, siker – h\u00e1rmast megval\u00f3s\u00edtani, mert eddig ezt a sz\u00ednh\u00e1zt\u00f3l v\u00e1rta. Most viszont \u00faj lehet\u0151s\u00e9gek ut\u00e1n k\u00e9ne n\u00e9zni \u00e9s az AI-t\u00f3l azt v\u00e1rja, kap valami instant \u00fatmutat\u00e1st a k\u00f6nny\u0171, munka n\u00e9lk\u00fcli sikersztori megteremt\u00e9s\u00e9re. Mert tudja, hogy l\u00e9tezik ilyen, m\u00e9g akkor is ha ez ellentmond a j\u00f3zan \u00e9sznek. Nagyon hossz\u00fa sz\u00f3cs\u00e9pl\u00e9sre ker\u00fcl sor ezzel a k\u00e9rd\u00e9ssel, de nem adja fel.<\/p>\n\n\n\n
Non-Deterministic Theatre \/ GUTstage
f\u00e9rfi: Viktor Varga
Zsuzsi: ChatGPT
Concept & Framework: Do Pick<\/p>\n\n\n\n
A Non-Deterministic Theatre el\u0151ad\u00e1sai nem ny\u00fajtanak sz\u00f3rakoz\u00e1st a sz\u00f3 klasszikus \u00e9rtelm\u00e9ben. Ezek az el\u0151ad\u00e1sok kellemetlen \u00e9rz\u00e9seket keltenek, a n\u00e9z\u0151 egy id\u0151 ut\u00e1n feszengeni kezd. A helyzetek egyszerre abszurdak \u00e9s h\u00e9tk\u00f6znapiak. Nem nagy horderej\u0171ek, nem felkavar\u00f3ak. Jelent\u00e9ktelen, h\u00e9tk\u00f6znapi probl\u00e9m\u00e1kat mutatunk meg, amit roppant kellemetlen n\u00e9zni. Nem az\u00e9rt, mert kellemetlen vagy felkavar\u00f3 a t\u00e9ma. \u00c9pp ellenkez\u0151leg. Ha benne vagyunk egy ilyen helyzetben, \u00e9szre sem vessz\u00fck.<\/p>\n\n\n\n
Ezek a mai ember napi dr\u00e1m\u00e1i. Ma nincsenek olyan \u00e9lethelyzetek a mindennapokban, mint Shakespeare vagy Moli\u00e8re kor\u00e1ban. Ma is vannak hatalmi harcok, f\u00e9lt\u00e9kenys\u00e9g, \u00e1rul\u00e1s, szerelem, csal\u00f3d\u00e1s, hal\u00e1l, t\u00e1rsadalmi probl\u00e9m\u00e1k, de a h\u00e9tk\u00f6znapi ember \u00e1ltal meg\u00e9lt fesz\u00fclts\u00e9gek term\u00e9szete megv\u00e1ltozott, \u00e9s ezek sokkal ink\u00e1bb bels\u0151, \u00f6nmag\u00e1ba fordul\u00f3 konfliktusok.<\/p>\n\n\n\n
A mai embernek els\u0151sorban \u00f6nmag\u00e1val \u00e9s a konfliktuskezel\u00e9ssel van probl\u00e9m\u00e1ja. Most, hogy az AI mindennapi \u00e9let\u00fcnk val\u00f3s\u00e1g\u00e1v\u00e1 v\u00e1lt, ezzel az ember partner\u00e9v\u00e9 is v\u00e1lt, helyettes\u00edtve a val\u00f3s emberi kapcsolatokat. \u00c9s ugyan\u00fagy nem hallgat senki az AI j\u00f3 tan\u00e1csaira, ahogy a m\u00e1sik ember tan\u00e1csaira sem.<\/p>\n\n\n\n
A val\u00f3di dr\u00e1mai fesz\u00fclts\u00e9g nem a sz\u00ednpadon zajlik, hanem a n\u00e9z\u0151 lelk\u00e9ben, aki el\u0151sz\u00f6r feszeng, unja, majd ki akar menek\u00fclni, mert nem akar azonosulni ezzel a vekeng\u00e9ssel, amikor a szerepl\u0151 k\u00e9ptelen kil\u00e9pni a saj\u00e1t gondolatainak \u00f6rd\u00f6gi k\u00f6r\u00e9b\u0151l, kihelyezve a megold\u00e1s lehet\u0151s\u00e9g\u00e9t az AI-ra, tolva a felel\u0151ss\u00e9get. Nem akar val\u00f3di v\u00e1ltoz\u00e1st, gyors, instant megold\u00e1sokat akar a v\u00e9lt vagy val\u00f3s probl\u00e9m\u00e1ira.<\/p>\n\n\n\n
Ha azt mondjuk, a sz\u00ednh\u00e1z feladata minden korban az volt, hogy t\u00fckr\u00f6t tartson a t\u00e1rsadalmi, emberi probl\u00e9m\u00e1kra, akkor ma ebbe a t\u00fck\u00f6rbe kell belen\u00e9zni, ahol egy szerept\u00e9vesztett, ki\u00fcresedett, emberi helyzetekre \u00e9s megold\u00e1sokra k\u00e9ptelen emberis\u00e9g vekeng az \u00e1lprobl\u00e9m\u00e1in.
A Non-Deterministic Theatre erre tesz k\u00eds\u00e9rletet.<\/p>\n\n\n\n
A produkci\u00f3 a mesters\u00e9ges intelligencia val\u00f3s idej\u0171 sz\u00ednpadi jelenl\u00e9t\u00e9nek eddig nem haszn\u00e1lt k\u00eds\u00e9rleti form\u00e1j\u00e1t alkalmazza.
A form\u00e1tum a Grazer Ungarisches Theater GUTstage m\u0171hely\u00e9ben ker\u00fclt kidolgoz\u00e1sra.
Non-Deterministic Theatre \u2013 developed by Do Pick \u00a9<\/p>\n\n\n\n
The performances of NON-DETERMINISTIC THEATRE apply a previously unused experimental form of the real-time stage presence of artificial intelligence. The format was developed in the GUTstage workshop of the Grazer Ungarisches Theater.
Developed by Do Pick \u00a9<\/p>\n\n\n\n
A felv\u00e9tel 2026. j\u00fanius 13-\u00e1n k\u00e9sz\u00fclt az el\u0151ad\u00e1sr\u00f3l<\/p>\n\n\n\n
Grazer Ungarisches Theater
art director Do Pick<\/p>\n\n\n\n
<\/p>\n","protected":false},"excerpt":{"rendered":"
Egy h\u00e9tk\u00f6znapi, ugyanakkor abszurd helyzetbe cs\u00f6ppen a n\u00e9z\u0151. Egy \u00fcres sz\u00ednh\u00e1zba, ami a vil\u00e1gban uralkod\u00f3 \u00e9rt\u00e9kdevalv\u00e1ci\u00f3 \u00e9s t\u00e1mogat\u00e1shi\u00e1ny hi\u00e1ny miatt bez\u00e1r, ezzel megsz\u00fcntetve az ott dolgoz\u00f3k addigi meg\u00e9lhet\u00e9s\u00e9t.<\/p>\n","protected":false},"author":1,"featured_media":1887,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","_seopress_robots_follow":"","_seopress_robots_imageindex":"","_seopress_robots_snippet":"","_seopress_robots_primary_cat":"","_seopress_robots_breadcrumbs":"","_seopress_robots_freeze_modified_date":"","_seopress_robots_custom_modified_date":"","_seopress_robots_canonical":"","_seopress_social_fb_title":"","_seopress_social_fb_desc":"","_seopress_social_fb_img":"","_seopress_social_fb_img_attachment_id":0,"_seopress_social_fb_img_width":0,"_seopress_social_fb_img_height":0,"_seopress_social_twitter_title":"","_seopress_social_twitter_desc":"","_seopress_social_twitter_img":"","_seopress_social_twitter_img_attachment_id":0,"_seopress_social_twitter_img_width":0,"_seopress_social_twitter_img_height":0,"_seopress_redirections_value":"","_seopress_redirections_enabled":"","_seopress_redirections_enabled_regex":"","_seopress_redirections_logged_status":"","_seopress_redirections_param":"","_seopress_redirections_type":0,"_seopress_analysis_target_kw":"","_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-1884","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"jetpack_featured_media_url":"https:\/\/grazerungarischestheater.com\/wp-content\/uploads\/2026\/07\/INSANT-PLAKAT-Do-Pick-nondeterministicthetre-scaled.jpg","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/grazerungarischestheater.com\/index.php\/wp-json\/wp\/v2\/posts\/1884","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/grazerungarischestheater.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/grazerungarischestheater.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/grazerungarischestheater.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/grazerungarischestheater.com\/index.php\/wp-json\/wp\/v2\/comments?post=1884"}],"version-history":[{"count":1,"href":"https:\/\/grazerungarischestheater.com\/index.php\/wp-json\/wp\/v2\/posts\/1884\/revisions"}],"predecessor-version":[{"id":1888,"href":"https:\/\/grazerungarischestheater.com\/index.php\/wp-json\/wp\/v2\/posts\/1884\/revisions\/1888"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/grazerungarischestheater.com\/index.php\/wp-json\/wp\/v2\/media\/1887"}],"wp:attachment":[{"href":"https:\/\/grazerungarischestheater.com\/index.php\/wp-json\/wp\/v2\/media?parent=1884"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/grazerungarischestheater.com\/index.php\/wp-json\/wp\/v2\/categories?post=1884"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/grazerungarischestheater.com\/index.php\/wp-json\/wp\/v2\/tags?post=1884"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}